Monday Question – How Was Your Weekend (And What Perfume Did You Wear)?

What did you do this weekend?

Have you worn one perfume or five?

Which one(s)?

  

My Answer:

I got a sample of Hermès’s latest launch Le Jardin de Monsieur Li on Saturday morning and have worn it ever since. Lovely, undemanding, not re-inventing the wheel but supremely easy to wear and smells really pretty and makes me feel like spring is here.

As for my weekend, we had a lovely time with friends on Saturday. The weather was warm and sunny and we spent the afternoon in the garden of the Hofburg.

On Sunday we had friends over for lunch (Chinese food and champagne 😉 ) and enjoyed a low-key afternoon at home.

How was your weekend and which perfume accompanied it?

Posted in Monday Question | Tagged , | 53 Comments

Perfume Bottles And Scarves – Hermès Quadrige And Circuit 24 Faubourg

Perfume bottles and scarves – my two loves go together well, showing you how well, is the aim of this post.

The first scarf of my collection that I present today is called Quadrige. It is an old design, first brought out in 1976 by Pierre Peron. In 2012 Hermès used the design for a limited edition of their 24 Faubourg Eau de Parfum, which I just had to have. I love the perfume still, albeit from afar as wearing it is just too much for my lungs these days, but its beauty is just as great for the eye as it is for the nose.

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Here is what Hermès tells us about the history of the scarf:

A quadrige, or quadriga, is an ancient four-horse, two-wheel chariot usually used for racing. By analogy, “quadriga” also refers to a sculpture representing a quadriga. Famous quadriga sculptures include those at the Grand Palais in Paris, the Brandenburg Gate in Berlin and the one on the Parthenon frieze at the Acropolis Museum. A new version of a scarf from the 70s, “Quadrige” is an exercise in style that plays on interweaving four horse heads and harnesses, like the pieces of a puzzle. Its extremely stylised pattern, graphic look with large full-tone areas, uninterrupted line outlining the horses’ manes, and braided cords around the edge all come together to give the scarf a very fashionable seventies feel. Design by Pierre Péron.

 

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I got my Quadrige scarf second hand from ebay and was overjoyed when I found it in this particular colourway, neutral greys, black and white with a pop of pink.

It was a good deal and though not in perfect condition, I almost relish the fact that this is a workhorse (pun intended) scarf that I can wear without restraint, without worries of staining or damaging it. I just enjoy it. It is one of my most worn scarves.

IMG_0531You can see on the photos above and below that depending on the diagonal it is folded along, the corners look quite different. When I wear it around my neck more often than not an eye of a horse is visible, it looks like it is winking. 😉

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The second scarf this week may seem familiar, as I have already shown you its little sister in this post.

Circuit 24 Faubourg is another scarf design that has made it on a limited edition bottle of 24 Faubourg, the perfume. (I wish I had that, if you know where I can find one, please let me know!)

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Here I included the small pochette in the same design, so you can see the difference in size.

I bought this scarf in 2012 right when it came out because I fell for it hook, line and sinker. It is perfect. The colours, the lines, the clean geometric forms, its dynamic curves and the fact that it looks entirely different when worn than when seen in its entirety.

 

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It is always a good idea to post a pictue of our lovely Portia, and thankfully today I have good reason. When I first met Portia, I was wearing Circuit 24 Faubourg along with a fur collar (from Mai Tai Collection).

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Portia (left) and Olfactoria (right) – just to make it clear who is who once and for all. 😉

I love this photo and still giggle inside when I look at it, because one reader thought Portia was the person on the right side and remarked on our uncannily similar looks. 😉

 

Finally I leave you with a picture I found of five of the different bottles of 24 Faubourg. The regular, non-limited bottle is the second from left. The others are Jeu des Omnibus et Dames Blanches, Éperon d’Or, Quadrige and 24. There are more out there though…

IMG_0524Completely unrelated but by popular demand and as an addendum to last week’s post, here is a shot of me wearing De la Mer au Ciel in a simple cowboy knot, with the knot tucked under.

Do you know and wear 24 Faubourg? What do you think of limited edition bottles? Frustrating or tantalizing?

Posted in Hermès, Scarf Collection | Tagged , , , , | 46 Comments

Pin-Up Perfume – Review: 4160 Tuesdays Tart’s Knicker Drawer

By Tara

British brand 4160 Tuesdays has quite a number of fragrances that are brim full of wit. In a world where perfumers can be painfully pretentious or rudely arrogant, the approach taken by indie perfumer Sarah McCartney is refreshing.

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A perfume called Tart’s Knicker Drawer can’t fail to amuse and happily the scent itself is just as playful. It smells exactly the way I thought (and hoped) it would.

I think Sarah McCartney is particularly talented at creating vintage inspired scents, such as Doe in the Snow which is a 70s-style fruity chypre. Tart’s Knicker Drawer also has a definite retro feel. It’s a powdery cloud of gorgeousness with a silky, ambery base reminiscent of the full-bodied perfumes of the past.

Released in 2014, Tart’s Knicker Drawer actually came into being by pure chance. After a day of filtering six perfumes at once, Sarah remarked on Twitter that she smelt like “a tart’s boudoir”.

The positive reaction encouraged her to experiment further and refine the combination. The result is an incredibly smooth, complex yet easy to wear fragrance.

Tart’s Knicker Drawer contains the following notes:

Top notes: Bergamot, orange, grapefruit and pink peppercorn
Heart notes: Raspberry, rose, jasmine, sandalwood, cedarwood, violet, tuberose and guiacwood
Base notes: Amber, musk, vanilla, benzoin and tobacco

I would recommend not dwelling on the notes too much because it’s an exceptionally well blended, abstract perfume. But to give you an idea, I’d say it’s a raspberry swirl over rose/violet powder with a satin ribbon of jasmine – all on a plump pillow of amber and vanilla.

The fact that it is sweet but not syrupy, makes it womanly rather than teenage, which I love.

The woman we’re talking about here is feminine and voluptuous. She is more cheeky than outright tarty; there’s no filth hidden behind the scenes. She enjoys getting ready for a night out as much as the evening’s entertainment itself. She loves the ritual of applying full make-up, scenting her skin and dressing-up in sophisticated yet figure-hugging clothing.

Tart’s Knicker Drawer is all about the boudoir mist of old-style lipstick, face powder and perfume. This concoction ends up clinging to silk stockings and satin undergarments.

Its coquettish, vintage style is very fitting for a Varga Girl.

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Painted by the most famous pin-up artist of all, Alberto Vargas, the 1940s Varga Girl portraits are glamorous, flirtatious and fun, just like Sarah’s scent.

During World War II, many U.S. servicemen chose to adorn their aircraft, ships and even uniform jackets with Varga Girl images copied from the pages of magazines and calendars.

I find Tart’s Knicker Drawer in Eau de Parfum strength lasts remarkably well with lovely soft focus sillage.

I’d very much like to experience the Extrait, not least because Sarah says “It lingers, like a fond memory of naughty things which happened in secret.”

Have you tried Tart’s Knicker Drawer? Do you like any boudoir scents? Please let me know in the comments.

Posted in By Tara, Fragrance Reviews | Tagged , , | 32 Comments

Review: Jean-Louis Scherrer by Jean-Louis Scherrer

Hey Hey Olfactoria’s Travelers,

Portia from Australian Perfume Junkies and Perfume Posse.

Today I’d like to go back to 1979 and on into the 1980s. I was horse mad and went every weekend to have riding lessons and to help pay for that I’d spend an hour or two afterwards each week picking up horse poo and mucking out stables. The farm owners would then sell the bags of poo at the front gate and people from all over would come to that area of Sydney to buy it and use it to compost their roses and azaleas.

What the adult world was doing was completely over my head but I did know that my Mum and her friends smelled really good, as did a couple of my aunties. Now I have no recollection of this bottle being anywhere but the fragrance is hard wired into my brain as one that someone in our circle wore. Can’t remember who but I’m pretty sure it wasn’t my Mum. Recently I was given this small well used bottle by Michael Edwards in his clear out and the colour is the older golden juice. I can’t find any product code dates online but I’m guessing early 21st century, maybe late 20th? So on my first spritz I was taken back to those wonderful childhood days….

Jean-Louis Scherrer by Jean-Louis Scherrer 1979

Jean-Louis Scherrer Jean-Louis Scherrer FragranticaPhoto Stolen Fragrantica

Fragrantica gives these featured accords:
Top: Aldehydes, green notes, violet, cassia, hyacinth
Heart: Carnation, tuberose, gardenia, orris root, jasmine, rose
Base: Sandalwood, amber, musk, civet, oakmoss, vanilla, vetiver, cedar

In Jean-Louis Scherrer I find a very beautiful link between CHANEL No 5 and the powerhouse fragrances of the 1980s. These were the days when saying something smelled perfumey was not a blindside. Here we have a beautifully blended cool animalic aldehydic floral. It’s big but not outrageous by the standards of the day, cool and warm simultaneously and I smile every time I spritz, and long after to be honest.

Jin & Portia St V Day 2015

Tonight I wore a very healthy couple of spritzes of Jean-Louis Scherrer for dinner. The intial glittering green lasts all to briefly because the animals and resins are already yowling. I was a little freaked because it was so big when applied, and the extremely high humidity in our Sydney summer heat made it bloom like crazy, all the way in the car I was totally worried that everything would be ruined by this OTT huge fragrance that was decidedly skanky, the civet, musk and indoles all working their glorious magic a little too powerfully for dinner. The heart for me is almost non existent, not a problem but interesting to note.

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Luckily, about 5 minutes from the restaurant (about 50-60 minutes after spritzing) the whole fragrance settled into a lovely hum of sexy florals with a warm woody and slightly foxy base. Really nice, smooth and elegant. Jean-Louis Scherrer shone softly as a fabulously old fashioned background hum. This is how beautifully perfumed people should smell, heavenly.

Further reading: Bois de Jasmin and Yesterday’s Perfume
FragranceNet has $49/50ml before Coupon

Did you ever spend some time with Jean-Louis Scherrer? What are your thoughts on vintage, is there a particular one that you crave?
Portia x

Posted in By Portia, Fragrance Reviews | Tagged , , , | 23 Comments

Monday Question – What Are Your Secret Single Behaviours?

When you are home (or away) alone, is there anything you love to do you wouldn’t do in the presence of your loved ones?

Do you indulge in so called secret single behaviour or are just the same as in the company of others?

Do you cherish your time spent on your own or do you crave constant company?



My Answer:

When I was in London recently what I enjoyed most was being on my own and the master of my own time and space. The things I do then are utterly mundane, but nonetheless, I enjoy them immensely.

After a day walking the city and a matinée of Phantom of the Opera (you may roll your eyes, but I adore musicals), I love to shop for the perfect dinner to take to my hotel room (this time I had wild crayfish and avocado on baby spinach and rucola from Pret-a-manger three times, I love it so much, followed by an almond croissant in case anyone thinks this is too healthy 😉 ), then I settle in with my food and a Coke Zero, a couple of magazines (The Gentlewoman and Porter), and maybe an old movie on TV.

Sounds utterly boring, but that is quite possibly how I am too, so I am making no excuses for my secret single behaviour.

What about yours?

Posted in Monday Question | Tagged | 31 Comments

The Circle Of Life – Hermès De La Mer Au Ciel Scarves

Today I want to show you two scarves – sisters – that share the same design in a different colourway. It shows very well how completely different two scarves of the same design can look, depending on the colours.

De la Mer au Ciel is a design that was launched in 2014 (the year of Metamorphosis) and it was created by Laurence Bourthoumieux (who signs her work with the nom de plume Toutsy). It is in the classic size, 90x90cm.

De la Mer au Ciel depicts a scene of sea and sky, where the fish emerge from the water on one side and turn into birds, on the other side the metamorphosis runs in the other direction, birds turn into fish again and go back into the churning sea. Clouds and waves intermingle in this rather busy design, but there is a softness to it that attracts me, a curvy symmetry that is both dynamic and whimsical.

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The first scarf is done in neutral colours: grey, navy, black and a soft off-white give us a rather sombre image of sea and sky.

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The second one has a lighter athmosphere. Beige, vanilla. soft green and a bright corally red make up the scene here and promptly we get to see it in a wholly different light.

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A very  interesting thing about this scarf is also its versatility when tied. You can have a grey scarf or a blue one, depending on the diagonal you choose to show when folded.

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Same with the light colourway, I can choose which corners to show, which diagonal to fold along to get very different results.

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This is how they look when worn around the neck.

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Let’s have a look at a few details now. The centre shows the scarf’s name as well as the swirly centre of the churning sea.

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The details are clearer in the lighter colourway, while in the darker one you have to actively go looking for the fish and plants.

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Here we see fish swimming in a coral reef, again the lighter colours provide a clearer picture, while the darker one seems more abstract.

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I love this design because it is tapping into my love for the magical. The circle of fish turning into birds turning into fish seems so beautiful to me. The fish gaining the skies, even for only a short time seems hopeful and optimistic. It is not exactly how evolution worked, but that is not the point of the design anyway, it is a flight of fancy rather than a nod to Darwin.

I bought the first (dark) one through h.com and found the second one after a long search on usa.h.com, which is tantalizingly inaccessible for Europeans. But that is what fumie friends are for, isn’t it? Enter Daisy, an amazing food blogger, perfume fiend and great friend who resides in New York City. She nabbed the scarf for me, had it delivered to the Madison Avenue store where I picked it up on my trip to NY last November. Surely another story of acquisition I will never forget.

Do you like this design? Do you prefer one scarf over the other? Which one and why?

Posted in Hermès, Scarf Collection, Scarves | Tagged , , | 46 Comments

I Left My Heart In Vienna: A Trip to Austria – 28th February to 5th March 2015

By Tara

After knowing Birgit (Olfactoria) for 4 years now, I was beyond excited to accept her kind invitation to come and stay with her family in Vienna, Austria at the start of this month.

The city was everything I had hoped for and more. I found it strikingly beautiful, incredibly civilised (yet welcoming) and embedded with culture at its very core. From a practical point of view, it is also spotlessly clean and easy to navigate. It’s clearly a great place to live, so I can completely see why it hovers at the top of the list of cities with the highest quality of life in the world.

Having a sight impairment and never flown alone before (plus being a nervous flyer), I was anxious about the journey. However all went well and Birgit, The Husband and their two adorable boys (Niki, 5 and Pauli, 8) were there to meet me at Arrivals.

As anyone with a family will know, you don’t lie-in when young children are around and this worked out well for making the most of each day. Bright and early on Sunday morning we had a superb breakfast cooked by The Husband, which included bacon – of course! – done with maple syrup and a touch of chilli.

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The Oeckher family in front of Schönbrunn Palace

 

Then we were off to Schönbrunn, the former imperial summer residence and the largest palace in Austria. It has a stunning façade as you can see from the pictures. It also has extensive gardens which must be quite something when in full bloom. We looked around the exquisite rooms of the palace but for preservation purposes you’re not allowed to take photos.

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Tara and the boys

 

In the afternoon we visited Prater amusement park, with its 212ft tall Ferris wheel built in 1897.

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The Riesenrad (ferris wheel)

 

We took a ride on the wheel but didn’t realise The Husband was worried about the height until we neared the top. Being the consummate medical professional he is, he was more interested in observing his body’s reaction to his rising sense of panic than actually giving-in to it.

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The Husband smiles bravely despite the height

Monday morning I happily got to meet the lovely Sandra who also writes for OT. An American who has lived in Vienna for 20 years, she was even more warm and generous than I expected she would be. It was a pleasure to get to know her on this trip and to meet her gorgeous son, Sean.

After a good chat over breakfast, Birgit and I set off for Time Travel Vienna.

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A waxwork monk in front of Time Travel Vienna

 

This entertaining guided tour really was a hoot and a half. It’s down in the cloisters of an old monastery and is a fun way to learn some facts about city and its history.

The highlight was a multi-media cinema experience which had us whooshing through time and landing at various significant points in Vienna’s history. We could feel the wind in our hair, our seats tilt during a carriage ride and even the rats’ tails flicking against the backs of our legs at the time of the bubonic plague.

Later in the day we visited The Hofburg, which used to be the main royal residence and is situated in the centre of the city.

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Tara on Heldenplatz in front of the Hofburg (the part housing the National Library)

 

This and the Schönbrunn were especially interesting to me because I have started reading a novel about Sisi, Empress Elisabeth of Austria (The Accidental Empress by Allison Pataki).

Sisi was a complex and fascinating character who married Emperor Franz Joseph in 1853. It was great to see the famous painting of her in real life and to stand in the room where she sat for 2-3 hours a day having her ankle-length hair coiffured.

On Tuesday I got to see Birgit’s much loved, Kunsthistorisches Museum (The Vienna Art History Museum).

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Interior of the Kunsthistorisches Museum

 

The building itself is just as breath-taking as the vast collection of artefacts it holds, accumulated by the House of Habsburg over their reign of around 600 years. It was good to see B’s favourite pieces such as the Fury and Pieter Brueghel the Elder’s Hunters in the Snow, after reading about them here.

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B on the gallery

 

Later that day I was very pleased to finally visit St.Stephen’s Cathedral – which is the symbol of Vienna – after catching glimpses of it from afar.

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St Stephen’s Cathedral

 

Churches rarely fail to inspire me and Gothic churches such as this feel particularly special. The architecture, both outside and in, is remarkable and the fact that it was bathed in a soft violet light for Lent added to its otherworldly beauty.

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Tara on Stephansplatz

 

Wednesday was perfume day! After breakfast, B left me in the capable fumie hands of Sandra and Val the Cookie Queen – who had travelled down especially from her town near Salzburg for the day. It was a real thrill to meet up in her home country for once and to have the opportunity to get to know Sandra better. We hit four niche perfumeries which were all within walking distance of one another.

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Val at Le Dix Neuf 

First was Le Dix Neuf which is compact in size but has a nicely displayed and curated collection of fragrances. Here they stock Histories de Parfums, Parfumerie Generale, Nasomatto, Byredo, Agonist, SoOud, The Different Company, Mona di Orio, Montale and more.

Sandra and SA at Le Parfum

Sandra and SA at Le Parfum

Next was Le Parfum which I was eager to see because B had mentioned it on the blog a number of times. It was a bright, luxe looking boutique with upscale brands such as By Kilian, Xerjoff and Tom Ford, as well as Penhaligon’s, Serge Lutens, Ramon Monegal and the exclusive Guerlains among others.

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Sandra at Kussmund

 

Kussmund Wien at Habsburgergasse 14 is a brand new store which stocks niche perfume lines such as Etat Libre d’Orange, Phaedon and Frapin, as well as top beauty brands like Lipstick Queen and By Terry. The staff were very helpful and I’m sure they will be a great success. Val tried Rien Intense Incense by ELd’O on skin. The dark, leathery, smoky incense made me think of India and Val liked it a lot.

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Duft & Kultur

 

Finally we went to Duft und Kultur which has a quirky selection of toiletries, jewellery, clothing etc. as well as perfumes from companies including Diptyque, L’Artisan Parfumeur and Eau d’Italie. We tested Cuir Cuba Intense, the new fragrance by Parfums de Nicolai. Val pegged the powerful opening spice note as caraway seed. It was a pungent and distinctive beginning but may have smoothed out over time.

At the Hermès boutique I contemplated purchasing Hermessence Cuir d’Ange but was still unable to make up my mind. No perfume purchases this trip.

We met up with B again at the tram station where we said our good-byes – for now.

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In front of Le Bol café

 

I loved Vienna, but more than its many wonderful sights, I loved getting to spend some time living with B and her family.

The Husband is just as witty and multi-talented as you would gather from reading about him here. From surgery and art, to carpentry and cookery (plus a little accessory-making on the side), he seems to be able to turn his hand to just about anything. By all rights he should have an ego the size of Austria, but instead, this Renaissance Man is incredibly down-to-earth with a ready smile and a self-deprecating sense of humour.

As for the boys, I could go on all day about how amazing they are. I didn’t anticipate getting quite as attached to them as I did. Both very different in character but equally kind, bright and extremely loving. Pauli is a thoughtful, polite and quietly confident young man, while Niki is a bundle of energy, fun and pure emotion – with a big appetite! They completely stole my heart.

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Getting to see my great friend in her roles as a caring wife and mother also revealed other sides to her I hadn’t seen before.

I’m very grateful to have been accepted so completely into their home. Living in the midst of such a warm and affectionate family was a privilege as well as a joy.

I will be back!

Posted in By Tara, Travels, Vienna | Tagged , | 46 Comments

Oh No, It’s Monday!

Back from London with a stomach bug.

Sorry, I’m out of commission today.



I’ll leave you with this photo taken from my balcony this morning.

I’d like to be on that plane. 🙂

See you soon….

B x

Posted in Ramblings, Travels, Vienna | Tagged , | 26 Comments

Super H To The Rescue – Hermès Scarf Collection Part 3: Minuit au Faubourg

In Part Three of my collection posts, we move on to the next size up, the so-called vintage silk 70x70cm scarves. This used to be Hermès’ standard size in the 1950ies and onward until the seventies or so, before the larger 90×90 size replaced it. It was re-introduced in 2007 for the 70-year celebration of Hermès silk scarves. Since then a few designs have been released in this size every year.

Today I present to you a scarf that I find simply wonderful.

Heritage, tradition and a deep commitment history is what characterizes Hermès, but it is not everything. A sense of humour, a willingness to stay contemporary and a certain daring are part of what makes Hermès designs unique.

This scarf is called Minuit au Faubourg (Midnight at Faubourg) and is drawn like a comic, even using comic sans font for the title and the signature at the bottom.

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This colourway is my favorite (it was released in about ten different colourways, most of them much louder than mine), it is essentially black and white (or shades of grey) with accents of yellow.

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This is a scarf I seriously contemplate hanging on the wall, since it really is all about the motif. Above you see it tied. It loses a bit of its punch, but it is still a fabulous, neutral scarf that goes well with just about anything, the yellow giving it a little kick.

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I couldn’t resist doing lots of detail photos for this one, since there is so much to discover and last but not least, this scarf is pure fun.

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The horse on top of 24 Faubourg is really there on the actual building in Paris (as well as on the Madison Ave, NYC store) and normally bears a rider that is not on his horse in this scarf, but standing in the window. The horse is wearing the cape and eyemask of a superhero. It is being called to save Paris by the light being shone into the night sky from the Eiffel Tower.

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On the detail below you can see the signature of the artist, Dimitri Rybaltschenko, and maybe the man himself standing in the window?

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I particularly love the nightscape of Eiffel Tower, Moulin Rouge and several roof tops.

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I was looking for this colourway for quite some time until it luckily popped up on h.com and I snapped it up. The fun with Hermès is, finding a particular item is always a hunt and you never know what you are getting, when and where (and if at all!!!).

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As per your wishes, I include a photo of myself wearing the scarf here in a simple knotted loop. The scarf is first folded into a strip and then wound around the neck twice and secured with a double knot.

Minuit au Faubourg is surely not a classic design, but I love how it conveys the way Hermès is not a staid, unmoving entity, but a modern brand that doesn’t take itself too seriously. Instead of basking in old glory, they continuously try to stay innovative and thus offer something for everyone.

What do yo think about this unusual (for such a venerable brand) design?

Do you like it? Or do you think Hermès should stay with bridles and birds?

UPDATE: Thanks to commentr happyface, here is a link to a lovely little video about this scarf.

 

Posted in Hermès, Scarf Collection | Tagged , , | 43 Comments

Roses Revisited, Perfume Lovers London, The October Gallery, London – Thursday 26th February 2015

By Tara

Aromatherapy tells us that rose oil makes us feel loved and beautiful. I’d say that’s about right. If ever I start the day feeling like I need a little extra shot of beauty in my life, I turn to a rose perfume. I like them full-bodied, on the dark side and definitely rose-heavy. However, I was very happy to try a whole range of different roses at this PLL evening.

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Event organiser Lila Das Gupta introduced us to Andy Bradshaw who lead a previous evening of roses a couple of years ago. Since then many more roses have been released and Andy (who was extremely informed and entertaining) took us through the following fragrances below.

I am paraphrasing what was said in order to give you the feeling of actually being there.

Andy: Roses have been on earth longer than man. But why are they so evocative for us? The answer is that they are a metaphor for life. The “blood red” rose. Red being the colour of passion. The rose can prick us but we still love it. Love can hurt us but we still love. Some of the roses we will try tonight will blow your minds…

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Rose Anonyme, Atelier Cologne

Andy: There have been so many rose/oud fragrances released in the last few years. I say that there is even Royal Oud by Creed for people who don’t like oud. The first time I tried Rose Anonyme it knocked my socks off. It’s fantastically blended. Do get this one on skin. It combines incense, Turkish rose, velvet oud, patchouli and benzoin. It’s such a clever composition (by Jerome Epinette) because it lasts and lasts but retains its lightness.

Roses come in so many different forms. Une Rose by Frederic Malle is a yardstick rose soliflore. It is a majestic soliflore. Rose can be centre-stage or it can wink at you from the wings. Or it can be sweet, wearing cute bobby socks.

Audience member: It’s nice but there are a lot like it. It’s rather like Midnight Oud by Juliette Has A Gun.

Andy: It is similar but this is better blended.

Nevermore, Frapin

Andy: This was Lila’s standout fragrance of 2014 and I could not disagree. Some fragrances can be classed as gothic and this is one of them. It was inspired by Poe’s poem “Nevermore”.

Lila calls it a “sandalwood rose”. Sandalwood is not listed as note but we can conjure an accord which might not be there, from several others. Nevermore has a certain boozy quality to it. I like it. There’s something of the night about it.

Rose Cut, Ann Gerard

Andy: This Bertrand Duchaufour creation is like you are slowly pickling yourself in rum, plum and spice. Isn’t it glorious? This takes you away from Armani and Hugo Boss. The rose is underpinning all the other accords.

I love how roses are so versatile. I am reclaiming roses for men. Men used to wear roses all the time.

Lila: This one is much warmer and more seductive on skin.

Audience member: It’s very fizzy.

Lila: It is a mix of femme and butch to me.

Vengance Extreme, Juliette Has A Gun

Andy: When the original Lady Vengance came out I expected it to be more thrusting, like the slutty rose of Voleur de Roses by L’Artisan Parfumeur. I wanted it to say to me “Come on Big Boy, you’ve pulled!”. Juliette Has A Gun must have realised because they released this Extreme version.

We had to put it in a cage or else it would have devoured all the other fragrances around. The accords are lavender, rose and patchouli. It’s a unisex rose fragrance.

Audience member: It has a very velvety texture.

935, Jamal

Lila then introduced Mohammed from Jamal, who have just launched their first four fragrances exclusively at House of Fraser on Oxford Street. He told us he was carrying on a family tradition because his parents had had an attar business.

935 is a rose fragrance which has some amber and a just little oud as Mohammed didn’t want to overpower the composition. It also has some water-lily for freshness. Lila had sniffed it without any prior knowledge of the brand and was really impressed.

Lila asked Mohammed why rose was so popular in the Middle East. He explained that it is the first scent you smell in the home, growing up. It is also part of Islamic culture where rose is the scent of heaven. It’s brought, along with saffron, by the angels.

Ferrari Oud, Ferrari

Andy: This is Ferrari trying to do an upmarket fragrance. I sprayed it in Milan without thinking too much about it. Then I keep thinking “What smells so good?” and realised it was me. It has rose, saffron and oud. It’s beautiful.

Scent, Theo Fennell

Andy: This one reminds me of Perfect Night by Bella Bellissima, which when I wear it, people say “You smell like sex – in a good way”.

Cumin makes this rose dirty.

Lila: I wore it to a friend’s 50th birthday party and her husband kept saying to me “You smell so good”. It was embarrassing!

Andy: I should say this is discontinued but it’s still available at the discounters. I can see it becoming expensive to get hold of, like Alexander McQueen’s Kingdom.

Lila: Another naughty rose is Oud Ispahan by Dior.

Café Rose, Tom Ford

Andy: I find the Tom Ford line to be quite patchy but this is eminently wearable. It sounds like it would be heavy and loaded with coffee but it’s actually surprisingly light and more like a frappuccino with caramel on top. It’s probably a little sweet for me.

Levantium, Penhaligon’s

Andy: This was released last year and I think it’s their best fragrance since Sartorial. It’s utterly beautiful. It features rum, rose, spice and a little oud.

Another great fragrance by Penhaligon’s is Elixir, composed by Olivia Giacobetti. It took the rose from Hammam Bouquet and gave it a twist using eucalyptus and smoky woods. Some fragrances come and go but this one has stood the test of time. The drydown caresses your skin in a warm, comforting way.

Audience member: I wear it to bed.

Audience member: It’s warm and spicy.

Andy: It’s a forgotten great.

DamaRose, Xerjoff

Andy: This a beautiful Rolls Royce of a soilflore. It’s utterly stunning. The first time I tried it my knees melted. Paper doesn’t do it justice.

Andy finished by reading a wonderful poem by Emily Dickinson: –

THE ROSE did caper on her cheek,
Her bodice rose and fell,
Her pretty speech, like drunken men,
Did stagger pitiful.

Her fingers fumbled at her work,—
Her needle would not go;
What ailed so smart a little maid
It puzzled me to know,

Till opposite I spied a cheek
That bore another rose;
Just opposite, another speech
That like the drunkard goes;

A vest that, like the bodice, danced
To the immortal tune,—
Till those two troubled little clocks
Ticked softly into one.

 

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A few other roses available to try on the night:

Tobacco Rose, Papillon Artisan Perfumes

Rose Oud, By Kilian

Saffron Rose, Grosssmith

Rose Velours, Van Cleef & Arpels

Rose Imperiale & Rose Nocturne, Terry de Gunzburg

Lyric, Amouage

Portrait of a Lady, Frederic Malle

La Fille de Berlin, Serge Lutens

Please share your own favourite roses in the comments!

Posted in By Tara, Floral, Fragrance Reviews, Rose | Tagged , , , , | 22 Comments