Introverted Incense – Review: Serge Lutens L’Orpheline

By Tara

The recent Serge Lutens release L’Orpheline (the orphan) is the sort of airy fragrance I generally get on better with than the dense creations which make up a good proportion of the house’s output. It gives you a lot of room to breathe.

LuckyScent lists the following notes: aldehydes, cedar wood, fougere accord, coumarin, clouds of ambergris, patchouli, incense and cashmeran.

As usual, Lutens worked with perfumer Christopher Sheldrake.

lutens orpheline

For the most part L’Orpheline contrasts stark incense against soft aldehydes. A swirling mix of resins and soap which is light and dark, cool and warm, masculine and feminine. It’s like an olfactory Yin Yang symbol.

L’Orpheline is woodier than Kyoto and the antithesis of the powerful Avignon (both part of the Comme des Garcons Incense Series). Although it is quiet and vaporous it also feels grounded and this feeling intensifies over time. The aldehydes dissipate and the incense is much less pronounced in the drydown. It no longer has the flinty yet soapy feeling it did before. The overall effect is that of the dying embers of a campfire.

Lutens is burning everything down to the ground in order to rise again anew.

A circle of stones on bare soil surrounds ashy, charred pieces of crumbly wood. After starting out airborne, the fragrance becomes earthier. There are touches of spice and musty patchouli as well as a subdued ambery musk which gives relief to the dryness.

L’Orpheline is very spare and introspective in character. However, for such an inward-looking fragrance it projects outwards quite some way with a lot of throw in the first couple of hours. It has very good longevity.

It may not be complex or unique but I did find L’Orpheline wearable and contemplative.

I tend to use incense to clear my head and make me feel more centred. So although I don’t find L’Orpheline exactly comforting, I don’t find its lack of ornamentation isolating either. Sometimes I find relief in a perfume that has an aura of detachment. When everything is overwhelming me, a cosy fragrance can be too suffocating.

Although its mood is decidedly downbeat, occasionally you want company for your heartache, rather than to be shaken out of it. A kind of emotional communion which is often a necessary part of the therapeutic process.

If you’ve read anything Serge Lutens himself has to say about L’Orpheline you’ll know it’s very personal to him. It represents the healing of the wounded child within. I don’t pretend to follow everything he says on the subject but I can relate to the idea of something that in his own words is “fragile but whole”.

You can’t “un-break” something, but given time and effort you can put it back together again.

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Photo by lambtroncorp

 

If you’ve tried L’Orpheline please let me know what you thought of it in the comments.
Otherwise, please do share your best loved incense fragrances.

Posted in By Tara, Incense, Serge Lutens | Tagged , , | 38 Comments

Atelier Cologne Discount Codes Now Available Worldwide!

A quick public service announcement:

Atelier Cologne just let me know that they made the two discount codes – OLFACTORIASAMPLES and OLFACTORIACANDLE, see sidebar – available worldwide.

Now also US readers can benefit!
Just in time for Black Friday! 😉

Enjoy!

Posted in Atelier Cologne, Shopping | Tagged , | 14 Comments

Close To Perfection – Review: Caron Infini

Hiya Olfactoria’s Travelers,

Portia from Australian Perfume Junkies and Perfume Posse back on the OTs.

A while ago I found a small bottle of vintage Infini parfum on one of the Facebook pages For Sale lists and though there was only about 2ml left I grabbed it. Thick, orange and viscous it arrived and I thought I’d share with you my first wear.

Infini was created by Gerard Lefortis for Caron in 1970.

Infini Caron FragranticaPhoto Stolen Fragrantica

Fragrantica gives these featured accords:
Top: Jasmine, aldehydes, narcissus, lily of the valley
Heart: Iris, tuberose, lilac, rose
Base: Vetiver, musk, tonka, amber, sandalwood

Infini was reformulated from Ernest Daltroff’s original in 1970 and we are dealing with a parfum of that era.

Firstly, I love that the featured notes contain no citruses, and the narcissus in Infini is very like the Narcissus fragrance that CB I Hate Perfumes brought out last year.

Infini is so different to modern perfumery in that the opening, particularly in this aged state, is not friendly or warm but ferocious. It has that remarkable inky metallic edge that tells you the aldehydes are still in full force, maybe even turning, but if you hold on tight for about 5 minutes everything starts to smooth out and become rounded. That furniture polish squeak goes and a balmy bouquet is revealed.

The heart is a quieter purr of flowers, resins and animalics. Things I can smell not mentioned include civet, honey and wee but I’m pretty sure they can be attributed to the narcissus, tuberose and musk but really they read much more feral to my nose. Not feral in a bad way but beautiful, deep, intense, majestic and funnily enough soft and furry.

Here is fragrance to really lift you into a completely different mindset. Though I’m sitting here in Sydney on a cool Spring morning writing to you I could be a golden years of Hollywood movie star playing a Queen, or a strong woman brought low, a glittering ingenue or my favourite of them all Helen Lawson, played by Susan Haywood, singing I’ll Plant My Own Tree in Valley Of the Dolls.

Infini parfum takes forever to go through its stages and five hours later the bouquet has mainly gone, still a shiver of narcissus, and I am left with the warmest, most opaque amber and musk with what could very well be the real deal sandalwood. Obviously the blending is so superb that I’m not getting notes per se but impressions of notes hiding within a beautiful soft amber haze. This is about as close to perfection in vintage fragrance as I can imagine.

Further reading: Yesterday’s Perfume and The Non-Blonde
Beauty Encounter has $120/15ml parfum
Surrender To Chance starts at $4/ml

What about you? Do you have a favourite vintage fragrance?
Portia xx

Posted in By Portia, Caron, Fragrance Reviews | Tagged , , | 7 Comments

Monday Question – Up, Up And Away! What Perfumes Do You Bring On A City Trip?

I am flying to NYC this week and I can hardly wait to get away. A few days just with my husband but without work and family pressures – ah.

(For New Yorkers: I will be at Osswald on Saturday, Nov 29 from 2-4pm. Come and say Hello!)

Despite my breathing difficulties I cannot live entirely without perfume, so I definitely will bring some sampes or decants with me. I feel naked and unpolished without perfume.

So for a short city trip, what would you bring?

Old faithfuls or exciting new things?

Stick with what you know or explore new fragrant territory along with the geographical one?

Which perfumes would you take with you?

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My Answer: 

Normally I would say a bit of both. Something old, something new (maybe even something blue?) and something borrowed from my husband’s stash.

Since I have to be more careful what I put on at the moment it is Jean-Claude Ellena all the way for me. I will being a travel set of Rose Ikebana, Santal Massoia, Paprika Brasil and Brin de Réglisse. Happiness.

Also I will fit in perfectly at the Hermès boutiques in New York. They are required sightseeing, aren’t they? 😉

What would you bring with you? Or would you just shop your way to perfumed bliss?

Posted in Monday Question | Tagged , , | 49 Comments

Graveyard Rose – Review: Frapin Nevermore

By Tara

Nevermore is the beautifully wistful name of the latest release by Frapin. It comes from Edgar Allan Poe’s most famous poem, “The Raven”, which was first published in 1845. In it, an increasingly distraught narrator pines for his lost love, only to be taunted by a raven who repeatedly chimes the response “Nevermore”.

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”

– Extract from “The Raven” by Edgar Allan Poe

The connection with Cognac producers Frapin can be found in the story of a mysterious figure known as The Poe Toaster who visited Poe’s tomb each year onwards from 1949, on the anniversary of the poet’s birth (19th January). After raising a toast to Poe he would leave behind three roses and a flask of Cognac.

frapin nevermore

Anne-Sophie Behaghel is the perfumer behind Nevermore which includes notes of aldehydes, nutmeg, florazone, black pepper, rose, amber, Atlas cedar and saffron.

Nevermore grabs your attention from the start, like a sudden gust of wind that takes your breath away. I get a sharp rose and dry cedar shrouded in ivy and veiled in an eerie mist of icy aldehydes. It’s sour, chilled and soapy, feeling like cold sweat on the back of your neck.

I thought Nevermore would be a deep, enveloping rose but it’s woody, thorny and very light in weight. During the early stages, its reminiscent of an overgrown grave among the trees with a few roses strewn across it.

I don’t know about brandy but there is a tart, wine-like quality to Nevermore. There’s also a metallic tinge, like a steel blade hidden in the undergrowth.

Three hours or so into its development, the sharp and soapy notes have faded and I find a little warmth and some spicy sweetness for the first time. It’s still not exactly plush but I find it more to my taste from this point on.

Apparently Frapin wanted to create a “masculine, modern rose”. Well, if a masculine rose can be interpreted as dry, wine-laced and rather subdued, then they’ve achieved this with Nevermore. But the theme and soapy aldehydes don’t make me think of it as particularly modern.

It definitely has the atmosphere of a desolate cemetery, where the only sound is the rustling of the leaves on the trees. Personally I like my rose perfumes to be more full-bodied and less bracing but Nevermore wasn’t intended for those who like a luscious, feminine rose. It has a striking, ghostly presence and its mood is cold, stark and wintry.

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Like Poe’s poem, it’s a Gothic lament.

How do you like your rose fragrances? Green and fresh or dark and deep?

Posted in By Tara, Fragrance Reviews, Frapin | Tagged , , , | 31 Comments

Colour in My Life Please! – Review: Nobile 1942 La Danza delle Libellule

By Sandra

I do not usually pay attention to the name of a perfume. But when one as beautiful as La Danza delle Libellule comes my way I sit up and pay attention. It means The Dance of the Dragonflies. This is a perfume which came out I believe in 2012 and when I received a sample in Rome I wore it and loved it for 3 days. I received another sample this summer and have been dreaming ever since.

nobile danza

Autumn has arrived and although the days are shorter and the temperatures have cooled off, the sunshine (which is unusual here in Vienna in November) and the crisp blue skies is making me dream of lazy summer days and I am searching for the perfect vanilla perfume. I pulled out my sample of La Danza delle Libellule from this summer and quickly used it up. The search was now on to find it in Vienna!

The Nobile 1942 website gives a beautiful description of this perfume. It is quoted here so that you understand of how spot on they describe it.

LA DANZA DELLE LIBELLULE (THE DANCE OF THE DRAGONFLIES)
… claiming some time for frivolousness, cuddles and the gentle insouciance that all women deserve. All these elements form the background to the melody conceived by Franz Lehar, who composed the “Dance of the Dragonflies”, an operetta that met with great success. With this spirit, the new fragrance by Nobile 1942, brings all the lightness necessary to soothe even the most troubled hearts.
Pure vanilla, a gourmand fragrance that warms the heart and envelops you in a sweet cloud, around which three frivolous dragonflies flutter, as in the operetta by the celebrated composer of “The Merry Widow”.
It is good for our senses to be pampered and loved, in an Epicurean joie de vivre, with moderation but also indulgence with ourselves. (by the homonymous operetta with music by Franz Lehar, Libretto by Carlo Lombardo).

Fragrantica lists the notes for La Danza delle Libellule as follows: Top notes are bergamot and red apple; middle notes are cedar and cinnamon; base notes are musk, vanilla and coconut.

I spray it on and get a blast of freshness with vanilla and musk intertwining ever so delicately. The apple is not dominant at all and quickly morphs to something more cuddly with the cinnamon. Thankfully it is never an apple crumble or pie – it is more of a marriage between fresh and sweet.

For the last year or two I have finally understood musks and that is what makes La Danza delle Libellule stand out on its own. The vanilla and musk shine together and tame the fresh opening after about 10 minutes. This is where I start dreaming and where my heart is comforted. The vanilla is not as sweet as Tihota for instance – which is also a great love of mine. This is a year round vanilla scent for me. To be honest I cannot smell a distinct coconut note at all. Perhaps it is rounded together with the vanilla and musk to make this such a gorgeous perfume.

This is not a complicated vanilla perfume which will rock your world with new direction. No, it is a subtle perfume which will caress and comfort and ease my mind into a state of dreaming.

I love colour in my life – from bright colourful paintings to colourful fruits and vegetables and La Danza delle Libellule is a colourful dream indeed. I was taught to dream and to add as much colour in my life as possible. I am transported back to lazy summer days as a child poking holes into lids of jars so that we could catch as many fireflies as possible. We wanted to be princesses in a castle or fairies in a garden at dusk making sure everything was set for the night hours. We were taught to paint our lives full of colourful experiences.

This past summer I was sitting by a pond full of lilypads and a single dragonfly danced amongst the lilypads – light shining on its delicate wings – bringing out the beautiful shimmering colours of its body.

La Danza delle Libellule is a beautiful addition to my collection making it possible for me to fondly remember what childhood and summer is all about – especially with the looming cold months ahead.

Sympetrum_flaveolum_-_side_(aka)

While there is an Extrait version of La Danza delle Libellule available, I caved and bought the Eau de Parfum. The Extrait is stunning in the opening – it really brings out the apples and cinnamon together but the perfume as a whole is just like the Eau de Parfum. The Eau de Parfum is beautiful and smooth and definitely gives me the serenity that I need these days in dealing with the challenges of life. I certainly don’t mind respritzing this during the day either.

What do you dream about? Does perfume help you dream a little bit more during the day?

Posted in By Sandra, Fragrance Reviews | Tagged , , | 22 Comments

A Holiday Surprise From Atelier Cologne And Other Announcements

Hello all,

instead of a Monday Question this week, I wanted to make a few announcements.

atelier cologne set

1) First of all, and with a lovely timing for the Holidays, I teamed up with Atelier Cologne who kindly created two discount codes redeemable in their online boutiques (Atelier Cologne France and Atelier Cologne Europe) for Olfactoria’s Travels readers. (Note: I do not receive compensation in any form for this!)

The first one is OLFACTORIASAMPLES : This code allows you to have the Atelier Cologne Collection Sample Set for 10€ instead of 20€.

The second one is OLFACTORIACANDLE : Atelier Cologne offer an Orange Sanguine Candle for every purchase of a Cologne Absolue 100ml, 200ml, or for any Gift Boxes.

You just need to apply the code at checkout and it works.

For now they only work on the European sites, but I am working on it to make this possible also for my American readers.

NYC_skyline_Dec_1941

2) The second thing I wanted to announce is that I am lucky enough to go to NYC soon. The Husband and I will spend the Thanksgiving weekend there. You may already have seen Portia’s announcements on Perfume Posse and Australian Perfume Junkies. S/he let it slip that I am at Osswald on Saturday, Nov 29 at 2pm as well. I hope to see some of the New Yorkers among you there.

I will definitely leave the stage to Portia though, as spending time in a small room with lots of people and plenty of fumes quite literally takes my breath away these days…

…which brings me to my third announcement of the day.

sick-kitten-blanket

3) You will have noticed that I do not review perfume these days, that I stick to my MQ and am happy to have the blog’s more fragrant part in the competent hands of dear Tara, Portia, Sandra and Michael. (A huge thank you to the four of you at this point, I don’t know what I would do without you and I am so grateful and happy that you write for OT!)

So why is that?

I developed Asthma, the reason for which is not yet known, but what is certain is that perfume makes it worse, a lot worse. Over the past months I have stuck with dabbed microdoses of Hermès perfume and not more and it looks like that will be what I have to do for a while yet.

This is not easy for a fumie as you all can imagine and it makes me sad and even more angry. The Asthma is really bad and fighting for air, coughing to the point of breaking a rib is not fun at all. For the past two weeks I have had great new medication which makes me feel a lot better and more optimistic, so I finally decided to share this with you, my loyal readers.

I was strangely ashamed for the longest time, feeling like my body let me down, not only me but my entire readership. I felt like a fraud, a Perfumista without perfume, a smeller who cannot bear even a whiff of scent.

But that is how it is for now and I can only hope it will change again.

So that was enough whining for today, now go forth and treat yourself or your loved ones to some nice Atelier samples or bottles. I know I will, even if I shall stick to buying them for others this year.

B xx

 

Posted in Atelier Cologne, Shopping, Travels | Tagged , , , | 90 Comments

Chocolate Trio – Review: En Voyage Perfumes Souvenir de Chocolat Indigo Vanilla, Captured in Amber and Café Cacao

By Tara

Shelley Waddington, the super talented perfumer behind En Voyage Perfumes, won many new fans last year with her stunning, vintage-inspired scent Zelda.

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This year her collection of three chocolate based perfumes “Souvenir de Chocolat” has already won her a number of awards and as the nights lengthen here in the UK, it feels like the perfect time to indulge in these top quality gourmands.

Indigo Vanilla

SONY DSC

Notes and accords: Sugared violet, chocolat chaud, crème douce, soft woods, vintage ambergris, vanilla alliage, tonquin musk.

This is much more about violet than chocolate or vanilla. The flowers smell as if they have been crystalised in sugar and set atop a vanilla flavoured hot chocolate. It’s as if you’re inhaling the vanilla scented milky chocolate through a bouquet of cool, sweet violets. The drydown is gently musky.

Indigo Vanilla is a violet fragrance that isn’t prim, saccharine or old-fashioned. I personally find it more lightweight and less affecting (particularly in the base) than the other two in the collection, but it’s an interesting confectionary twist on this traditional flower.

Captured in Amber

SONY DSC

Notes and accords: Classic Persian amber accord, dark South American chocolate accord, New Zealand beach-washed ambergris and a touch of bitter orange.

Captured in Amber is salty and softly spicy with the moreish bitter edge of dark chocolate and a low, animalic purr.

It’s comforting and warm the way ambers usually are. However there’s also a sensuality to it, in the same way an exquisite taste sensation can give you an almost indecent thrill. How often do we get real ambergris in our perfume these days? Its presence here is a very rare treat.

Captured In Amber is by far the most potent and seductive of the three. I applied it at 8am one morning and could still smell it on my skin at 10pm that night. I think it’s wonderful and that’s really saying something considering ambers don’t usually work on me.

Café Cacao

SONY DSC

Notes and accords: Vanilla powder, rose sugar, ground cardamom, bergamot peel, Espresso cafe, steamed milk, salt, dark cacao, rich whipped cream, soft amber, Himalayan musk, New Zealand beach-combed ambergris.

I’m one of those weird people that doesn’t like the taste of coffee. Perhaps even weirder, I love the smell of it. I find that deep, dark and delicious roasted aroma very enjoyable. Café Cacao delivers all the aromatic goodness of coffee with none of the bitter taste.

However, this perfume is not a straight-up coffee fragrance. In the beginning it’s the sweetest of the three and resembles a creamy dessert with a shot of expresso thrown in.

The sugary, frothy head with accents of rose, spice and citrus peel gives a nice lift to the milky coffee beneath. But as the whipped cream melts, the powdery coffee and chocolate come through more and more, making it progressively drier.

Marie-Antoinette was no stranger to decadence and is said to have taken ambergris in her coffee. The dry down couldn’t be further from the sweet start as the swoon-inducing combination of amber, musk and ambergris, along with traces of chocolate and coffee grounds, rolls over the skin. Cafe Cacao reminds us that coffee is a grown-up drink.

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Shelley has been kind to perfume lovers as well as chocoholics by making these fragrances available in 15ml EDPs (which I sampled) and 4ml extraits. You can also buy a set of all three extraits as a coffret.

While each creation is a perfume in its own right they have been designed to combine easily for layering. This way you can cook up your very own culinary inspired fragrance confections.

Do you have a love of chocolate? Are you a fan of it in fragrance?

Posted in Amber, By Tara, Fragrance Reviews, Gourmand | Tagged , , , , , | 42 Comments

In The Harem – Review: Dior Collection Privée Oud Ispahan

Woop Woop Olfactoria’s Travelers,

Portia here today from Australian Perfume Junkies and Perfume Posse.

Funny how sometimes you are so enraptured by a scent that you’ve bought in a sample, decant or split that you immediately, or as soon as opportunity presents itself, you go grab yourself a bottle. This is one such fragrance. While I was cleaning up the house in preparation for the move I found my original 10ml decant bought from an AndreaW split on FFF (Facebook Fragrance Friends) back in 2012 when it was first released. There is about 4ml left in it because I went away in January 2013 to Paris and grabbed a bottle (still unopened) at the Galleries Lafayette from the loveliest DIOR rep who remembered me this year when Michael and I were there.

Oud Ispahan was created by Francois Demachy for DIOR: Collection Privée

Oud Ispahan Dior FragranticaPhoto Stolen Fragrantica

Fragrantica gives these featured accords:
Top: Labdanum
Heart: Patchouli
Base: Sandalwood, rose, agarwood (oud)

This note list is so short and really only hints at what I get from wearing this lovely rose/oud production. Back when Christian Dior was alive you could still use the word Orient, which I love, but sadly today it has fallen into disfavour because of its ties to Imperialism and the downtreading of hundreds of thousands of individuals and stealing all their valuables, heritage, culture and religious icons to put into museums and sell to collectors. Interestingly the word is still useable and existing in the fragrance industry in Oriental, my favourite of all the genres and something to be worn lavishly and fearlessly.

Oud Ispahan Dior Chehel_Sotoon WikipediaPhoto Stolen Wikipedia

Oud Ispahan is lavish.

The opening for me wails like a hot dry wind in the desert, full of the promise of heat, rose petals and baklava, oils, animals and resins. It is a magical wonder of a fragrance giving such depth and tonality I really do feel like I’m wearing an oil based fragrance from the middle East but in the cleanest way.

To me the note list is exactly reverse to how I smell the fragrance. Oud and rose in the forefront, the patchouli riding alongside is almost transparent, all the bits I love have been sawn off and truncated but you can still tell it was patchouli, this is a Disney patchouli suitable for even the most exquisitely discerning western noses that don’t really want to smell like a souk, or as if they’ve been up a camels ass, but who do want to hint at far away places and mysterious travels. Oud Ispahan is perfect for exactly this.

Though labdanum has been present all along it has sometimes shouted, others murmered or been completely overlayed by the other notes, but now it gets to have its moment and the dry, amberish, honeyed animal oud plays quite nicely beside a soft caress of sandalwood, or a recreation of it.

Oud Ispahan Dior Kathak WikipediaPhoto Stolen Wikipedia

From my description you would hardly guess at how much I love Oud Ispahan. When I spritz with abandon and inhale my scent cloud it is a transportive dream. Suddenly I am hiding in the harem of a desert king or the beautiful dancer wife of an Indian Maharajah: bathed, hairless and glorious attars massaged into my skin so I glow and shimmer in the half light. Suddenly I am beautiful, beyond beautiful, and so light I could fly away. They wrap me in a gown of silks and sequins, I am almost completely covered and ready to see my master/husband/king. Shivering with excitement and nerves.

Further reading: Olfactoria’s reviewCandy Perfume Boy and Katie Puckrik

Oud Ispahan can be found at some large department stores and all DIOR stand alone stores.
Surrender To Chance has samples starting at $3/ml

What in your collection sends you on journeys in your mind?
Portia xx

Posted in By Portia, Dior, Dior La Collection Privée, Fragrance Reviews | Tagged , , , , , | 21 Comments

Monday Question – Which Vintage Perfume Would You Love To See Revived?

Last week Tara took us on a fascinating journey through the world of yesterday’s perfumes at the Osmotheque in Versailles.

I’m sure I’m not the only one she inspired to dream about great perfumes that are sadly no longer available.

Which perfume of the past would you love to own?

Which perfume would you like to become available again?

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My Answer:

As an iris fan I would love to smell Iris Gris by Fath, but also the old Guerlains in their original form would be so tempting.

But as a steadfast Hermès fan, the one I would love to smell again the most, in the from it once was is Hermès Calèche. I have a vintage extrait gifted to me by the incredibly generous (and all around fabulous) Neil. But it pains me to know that every drop brings me further to the end of something wonderful.

What is the perfume of your vintage dreams?

Posted in Monday Question | Tagged , , , | 46 Comments